![]() Costumes help actors & actresses bring the character alive within the boundaries of the plot and backstory, enhancing the emotional connection to the person as the role evolves.” Allowing the viewer to believe and buy into this persona. A costume designer designs for film, television, and theatre, creating a character and building a vision, ultimately telling a story through the show’s scenes. Fashion inspires the real woman to wear something unique and sells to the mass market, representing individuality and personality. They often show a collection on the runway to generate publicity and attract customers once it is diluted to the stores. LW: “What is the difference between a fashion designer and a costume designer?”ĭC: “A fashion designer creates original clothing, footwear, accessories, etc., to influence a trend through their brand. All this experience allowed Deborah to go freelance and learn crucial lessons for her future career as a costume designer, of whom are multi-faceted, with skills such as set etiquette, fabrics, colour theory and time periods, all enabling her to work with celebrities such as Alison Steadman, Stacey Solomon, Gordon Ramsey and Lord Andrew Lloyd Webber and on shows such as Guessable, Next Level Chef and Bake off The Professionals.ĭeborah Cantor and Dell Scott backstage at the Emerge Runway Show by Dell Scott during New York Fashion Week Fall-Winter 2023. Deborah’s experience also includes internships for glossy magazines such as Vogue, Harper’s & Queen (UK) and Harper’s Bazaar (US) early on, where she would assist the fashion director, bookings editor and leading fashion editors. Beginning her career in the Costume Department at the BBC, after completing a Fashion and Textiles degree at Manchester Metropolitan University, Deborah developed her knowledge of periods by cataloguing and indexing stock, teaching her the history of fashion and costume in different time periods, before training as a costumier. Throughout the interview, Deborah talked me through her extensive experience getting started in the costume industry, her day-to-day duties and advice for aspiring costume designers. I spoke with Deborah Cantor, a costume designer with over 25 years in the industry with The Extraordinary Life of April Ashley, Liverpool Narcos and Secret Dickens as a small part of her impressive resume. ![]() A costume designer is the reason this connection is possible. Performances are remembered for their costumes, whole emotions are conveyed through the choice of colour, words through the choice of fabric,a whole story interwoven together with just a few carefully selected choices. Fostering vulnerability, creativity, power, passion and possibility all in an outfit.Īudiences and costumes become entwined, hoping to have a piece of their favourite character reflected on themselves even if it’s just as simple as the same bag, it weaves the two worlds together. Sparking inspiration and passion for the story, the audience becomes invested and connected. Costume strengthens the connection between a character, their story and the audience they are trying to capture. Costume is such an incredible part of TV, it’s a physical representation of a character, a symbol of their story.
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